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Array
(
[F195] => A&Me
[F1160] => Agnes Gällhagen
[F229] => Alex & Martin Photographers
[F133] => Alexander Crispin
[F268] => Alicia Swedenborg
[F1149] => Amanda Falkman
[N10] => Anders Haglund
[E14] => Anders Kristensson
[N61] => Anders Modig
[F198] => Andreas Kindler
[F1140] => Anette Bruzan
[E231] => Ann Lindberg
[F117] => Anna Emilia Lundgren
[F190] => Anna Huerta
[F1155] => Anna Johnsson
[E133 or F277] => Anna Kern
[E21] => Anna Larsson
[F272] => Anna Roström
[F119] => Anna Skoog
[E328] => Anne Nyblaeus
[F274] => Annika Persson
[F191] => Annika Vannerus
[E306] => Anthony Hill
[N11] => Antti Leinonen
[N67] => Åsa Lindholm
[F211] => Åsa Siller Kristensson
[E149] => Athina Strataki
[F1122] => Beatrice Törnros
[N50] => Benny Karlsson
[N12] => Berit Djuse
[F284] => Björn Dahlgren
[F1117] => Bodil Bergqvist
[F262] => Bruno Ehrs
[F288] => Caluvafoto
[E132 or F201] => Camilla Sjödin Lindqvist
[E1] => Camilla Wirseen
[F115] => Carl Johan Rönn
[F1162] => Catarina Kent
[E8] => Cecilia Enholm
[F289] => Cecilia Möller
[F188] => Charlie Drevstam
[F1008] => Christina Strehlow
[F1067] => Christina Sundien
[F228] => Conny Fridh
[N16] => Dag Haugum
[E192] => Dan Lepp
[E336] => David Hamp
[E7] => Dejan Antonijevic
[F1003] => Depiction AB
[N2] => Dick Clevestam
[N58] => Eivor Rasehorn
[E302 or F134] => Elisabeth Zeilon
[F233] => Ellinor Hall
[F199 or E94] => Elliot Elliot
[F1012] => Emil Fagander
[E329] => Emma Wallte
[E270] => Erik Olsson
[E323] => Eva Edsjö
[F1001] => Eveline Johnsson
[E321 or F172] => Ewa Ahlin
[E205] => Florence Montmare
[N96] => Fredrik Ludvigsson
[F217 or E324] => Fredrik Nyman
[F1024] => Fredrik Reuterhäll
[N82] => Fredrik Schlyter
[E267] => Fredrik Sweger
[F135] => Göran Assner
[N19] => Göran Nyrén
[F143 or N104] => Håkan Hjort
[F1178] => Hanna Keiser
[F290] => Hannes Söderlund
[N105 or F247] => Hans Berggren
[F103] => Hans Bjurling
[F189] => Hans Carlén
[N20] => Hans Geijer
[E25] => Hans Granqvist
[F252] => Hasse Bengtsson
[N22] => Hasse Schröder
[N23] => Heikki Willamo
[F285] => Helén Karlsson
[F1010] => Helena Christerdotter
[N168] => Henrik Karlsson
[F1021] => Henrik Kindgren
[F282] => Henrik Sellin
[F207 or N75] => Henrik Trygg
[F263] => Huett Lundström
[F225] => Ingemar Lindewall
[E338] => Ivar Hagren
[F203] => Jakob Fridholm
[N26] => Jan Pedersen
[F235 or N166] => Jan Töve
[N78] => Jarl von Scheele
[F1174] => Jennifer Nilsson
[E316] => Jenny Gaulitz
[F1150] => Jenny Hammar
[E55] => Jens Andersson
[N27] => Jens Rydell
[F218] => Jeppe Wikström
[F276 or E325] => Johan Alp
[N163] => Johan Hammar
[F214] => Johan Ödmann
[F204] => Johan Tholson
[E307] => Johan Töpel
[F279 or E322] => Johan Willner
[F264] => Johanna Nyholm
[E18] => John Eyre
[F1130] => John Jacobson
[F212] => Johnny Franzén
[F1136] => Jonas Gunnarsson
[F174] => Jonas Ingerstedt
[F250] => Jonas Kullman
[F140] => Jonn
[N62] => Jörgen Schwartzkopf
[N99] => Jörn Böhmer Olsen
[F234] => Josefine Bolander
[F219] => Juliana Wiklund
[E326 or F245] => Kari Kohvakka
[E318] => Karin Alfredsson
[N29] => Karin Berglund
[N30] => Karin Eriksson
[F1016] => Karl Forsberg
[F1157] => Karolina Ehrenpil
[E32] => Karolina Kristensson
[N53] => Kate Kärrberg
[N4] => Kenneth Bengtsson
[E332] => Kenneth Hellman
[N28] => Kent Andersson
[N32] => Kent Storm
[N51] => Kjell Ljungström
[F1005] => Krister Engström
[F243] => Kristofer Samuelsson
[F200] => L Ancheles
[N55] => Lars Persson (P:sson)
[F166] => Lars Thulin
[F194] => Lars Trangius
[E128] => Lars Wallin
[N95] => Lars-Olof Johansson
[N33] => Lena Ehrenström
[F206] => Lena Granefelt
[N64] => Lena Israelsson
[F162] => Lena Koller
[E305] => Lena Modigh
[F275] => Lena Öritsland
[F287] => Lieselotte Van Der Meijs
[F1128] => Lina Arvidsson
[F196] => Lina Fänge
[F244 or N171] => Lina Karna Kippel
[F295] => Linda Otterstedt
[F292] => Lisa Björner
[F1144] => Lisa Öberg
[F1026] => Lisa Wikstrand
[N34] => Magnus Elander
[F160] => Magnus Fond
[N36] => Magnus Melin
[N76] => Magnus Nyman
[F197 or E339] => Magnus Ragnvid
[E115 or N97 or F381] => Malcolm Hanes
[F1019] => Malin Kihlström
[F1018] => Malin Mörner
[E118] => Malte Danielsson
[F227] => Marcus Carlsson
[F1004] => Maria Cruseman
[F293] => Maria Rosenlöf
[E48] => Mario Clementi
[F1169] => Maritha Estvall
[F128] => Mårten Adolfson
[N94] => Mårten Dalfors
[N59] => Martin Almqvist
[E5] => Martin Axkull
[R182] => Maskot Bildbyrå AB
[F239] => Matilda Lindeblad
[F1011] => Mats Lind
[F118] => Mats Widén
[N85] => Mauro Rongione
[F180] => Max Brouwers
[N63] => Michael Freuding
[F1014] => Michael Jönsson
[F120] => Mikael Dubois
[F1088 or N164] => Mikael Svensson
[N77] => Mikael Westh
[F265] => Mikkel Örstedholm
[F283] => Monika Manowska
[E333] => Morgan Karlsson
[F179] => Nicho Södling
[F1045] => Nicklas Blom
[F251] => Nicklas Rudfell
[F1025] => Niclas Vestefjell
[F176] => Niklas Bernstone
[F266] => Nixon Johansen Cáceres
[F123] => Olof Hedtjärn
[F1129] => Oscar Wettersten
[F171] => Pål Rödahl
[N60] => Pär Brännström
[E147] => Patrik Engquist
[E140] => Peder Björkegren
[E240] => Pekka Stålnacke
[E74] => Pelle Berglund
[F125] => Per Dahl
[F224] => Per Eriksson
[E224] => Per Kristiansen
[F105] => Per Magnus Persson
[F221] => Per Ranung
[E221] => Pernilla Hed
[F1146] => Pernilla Jangendahl Lilja
[E330] => Pernilla Zetterman
[F1161] => Pernille Tofte
[F241 or E179] => Peter Carlsson
[E3] => Peter Eriksson
[F270] => Peter Hoelstad
[F1022] => Peter Lydén
[F223 or N162] => Peter Rutherhagen
[F1127] => Peter Westrup
[N35] => Petter Antonisen
[F141] => Philip Laurell
[F1137] => Philip Liljenberg
[E75] => Pia Isaksson
[F271] => Pia Ulin
[F900] => Plattform
[F800] => Plattform Film
[E317] => Pontus Johansson
[E315] => Ragnar Omarsson
[F136] => Ralf Turander
[F1020] => Rebecca Wallin
[E9] => Rebecka Rasmusson
[N79] => Reijo Juurinen
[N39 or F240] => Roine Magnusson
[E4] => Samir Soudah
[F1151] => Sanne Brännström
[E36] => Sara Danielsson
[F1009] => Sara Winsnes
[F1023] => Scandinav
[F281] => Simon Bajada
[N167] => Staffan Andersson
[F237] => Staffan Andersson
[F1013] => Stefan Isaksson
[N8] => Stefan Örtenblad
[N7] => Stefan Rosengren
[F209] => Stefan Wettainen
[F1166] => Stina Gränfors
[F124] => Susanna Blåvarg
[F167 or E320] => Susanne Kronholm
[F208] => Susanne Walström
[N40] => Sven Frändås
[N41] => Sven Halling
[N46] => Tero Niemi
[E335] => Tine Poppe
[E266] => Tobias Arnerlöv
[E334] => Tobias Duveskog
[F205] => Ulf Huett Nilsson
[E145] => Urban Hedlund
[F1118] => Viktor Holm
[F192 or E319] => Vince Reichardt
[F1165] => Wag The Dog
[F273] => Wenblad-Nuhma
)
Photographers Photographers
A&Me Agnes Gällhagen Alex & Martin Photographers Alexander Crispin Alicia Swedenborg Amanda Falkman Anders Haglund Anders Kristensson Anders Modig Andreas Kindler Anette Bruzan Ann Lindberg Anna Emilia Lundgren Anna Huerta Anna Johnsson Anna Kern Anna Larsson Anna Roström Anna Skoog Anne Nyblaeus Annika Persson Annika Vannerus Anthony Hill Antti Leinonen Åsa Lindholm Åsa Siller Kristensson Athina Strataki Beatrice Törnros Benny Karlsson Berit Djuse Björn Dahlgren Bodil Bergqvist Bruno Ehrs Caluvafoto Camilla Sjödin Lindqvist Camilla Wirseen Carl Johan Rönn Catarina Kent Cecilia Enholm Cecilia Möller Charlie Drevstam Christina Strehlow Christina Sundien Conny Fridh Dag Haugum Dan Lepp David Hamp Dejan Antonijevic Depiction AB Dick Clevestam Eivor Rasehorn Elisabeth Zeilon Ellinor Hall Elliot Elliot Emil Fagander Emma Wallte Erik Olsson Eva Edsjö Eveline Johnsson Ewa Ahlin Florence Montmare Fredrik Ludvigsson Fredrik Nyman Fredrik Reuterhäll Fredrik Schlyter Fredrik Sweger Göran Assner Göran Nyrén Håkan Hjort Hanna Keiser Hannes Söderlund Hans Berggren Hans Bjurling Hans Carlén Hans Geijer Hans Granqvist Hasse Bengtsson Hasse Schröder Heikki Willamo Helén Karlsson Helena Christerdotter Henrik Karlsson Henrik Kindgren Henrik Sellin Henrik Trygg Huett Lundström Ingemar Lindewall Ivar Hagren Jakob Fridholm Jan Pedersen Jan Töve Jarl von Scheele Jennifer Nilsson Jenny Gaulitz Jenny Hammar Jens Andersson Jens Rydell Jeppe Wikström Johan Alp Johan Hammar Johan Ödmann Johan Tholson Johan Töpel Johan Willner Johanna Nyholm John Eyre John Jacobson Johnny Franzén Jonas Gunnarsson Jonas Ingerstedt Jonas Kullman Jonn Jörgen Schwartzkopf Jörn Böhmer Olsen Josefine Bolander Juliana Wiklund Kari Kohvakka Karin Alfredsson Karin Berglund Karin Eriksson Karl Forsberg Karolina Ehrenpil Karolina Kristensson Kate Kärrberg Kenneth Bengtsson Kenneth Hellman Kent Andersson Kent Storm Kjell Ljungström Krister Engström Kristofer Samuelsson L Ancheles Lars Persson (P:sson) Lars Thulin Lars Trangius Lars Wallin Lars-Olof Johansson Lena Ehrenström Lena Granefelt Lena Israelsson Lena Koller Lena Modigh Lena Öritsland Lieselotte Van Der Meijs Lina Arvidsson Lina Fänge Lina Karna Kippel Linda Otterstedt Lisa Björner Lisa Öberg Lisa Wikstrand Magnus Elander Magnus Fond Magnus Melin Magnus Nyman Magnus Ragnvid Malcolm Hanes Malin Kihlström Malin Mörner Malte Danielsson Marcus Carlsson Maria Cruseman Maria Rosenlöf Mario Clementi Maritha Estvall Mårten Adolfson Mårten Dalfors Martin Almqvist Martin Axkull Maskot Bildbyrå AB Matilda Lindeblad Mats Lind Mats Widén Mauro Rongione Max Brouwers Michael Freuding Michael Jönsson Mikael Dubois Mikael Svensson Mikael Westh Mikkel Örstedholm Monika Manowska Morgan Karlsson Nicho Södling Nicklas Blom Nicklas Rudfell Niclas Vestefjell Niklas Bernstone Nixon Johansen Cáceres Olof Hedtjärn Oscar Wettersten Pål Rödahl Pär Brännström Patrik Engquist Peder Björkegren Pekka Stålnacke Pelle Berglund Per Dahl Per Eriksson Per Kristiansen Per Magnus Persson Per Ranung Pernilla Hed Pernilla Jangendahl Lilja Pernilla Zetterman Pernille Tofte Peter Carlsson Peter Eriksson Peter Hoelstad Peter Lydén Peter Rutherhagen Peter Westrup Petter Antonisen Philip Laurell Philip Liljenberg Pia Isaksson Pia Ulin Plattform Plattform Film Pontus Johansson Ragnar Omarsson Ralf Turander Rebecca Wallin Rebecka Rasmusson Reijo Juurinen Roine Magnusson Samir Soudah Sanne Brännström Sara Danielsson Sara Winsnes Scandinav Simon Bajada Staffan Andersson Staffan Andersson Stefan Isaksson Stefan Örtenblad Stefan Rosengren Stefan Wettainen Stina Gränfors Susanna Blåvarg Susanne Kronholm Susanne Walström Sven Frändås Sven Halling Tero Niemi Tine Poppe Tobias Arnerlöv Tobias Duveskog Ulf Huett Nilsson Urban Hedlund Viktor Holm Vince Reichardt Wag The Dog Wenblad-Nuhma
Main categories Main categories
agriculture animals architecture business communication conceptual culture domestic life education emergencies and disasters environment fashion and beauty finance food and drink fruits and vegetables health house and home industry leisure lifestyle medical care nature people plants shipping and life on sea sport Swedish classics technology tradition traffic and transport urban scene working life
Concepts Concepts
absence abstract absurd accuracy admiration adventure affection ageing process alienation anger anguish annoyed anxiety astonishment atmospheric attitude authority balance boredom challenge climate smart close to nature closeness commitment confusing contrast cooperation courage creativity curious dating depression despair determination development direction disappointment do-it-yourself dream excitement expectation fear fragile freedom friendship getting away from it all glamor growth happiness harmony humour idyll illusion imagination individuality inspiration kitsch knowledge leadership life life events loneliness love love affair melancholy memory mysterious nervousness network nostalgia optimism positive pride purposeful retro romance sadness scenic security sensory perception service shy simplicity spirituality strategy strength stress success surprise suspicious togetherness transformation uninterested variation vision vulnerability wellness young at heart youth culture
Age Age
young adult mid adult 0-6 months 1-2 years 2-3 years 4-6 years 7-9 years 80 plus 6-11 months 10-12 years 13-15 years 16-17 years 18-19 years 20-24 years 25-29 years 30-34 years 35-39 years 40-44 years 45-49 years 50-54 years 55-59 years 60-64 years 65-69 years 70-74 years 75-79 years
Geography Geography
Africa Alingsås America Amsterdam Argentina Asia Athens Australia Austria Bangkok Barcelona Beijing Björkö Brazil Bromölla Brändaholm Budapest Burma Byxelkrok Canada Canary Islands Central America China Colorado Constantia Copenhagen Corsica Cyprus Dalarna Delsbo Denmark Dublin Egypt Estonia Ethiopia Europe Fiji Finland Florence France French Polynesia Germany Goa Gothenburg Gotland Grand Teton national park Great Britain Greece Greenland Gränna Gällnö Helsingborg Himalaya Hungary Iceland India Ireland Istanbul Italy Japan Jukkasjärvi Jämtland Karlavägen Karlskoga Key West Kiruna Koh Mak Ladtjojaure Laos Lapland Las Vegas Lisbon London Madeira Majorca Malaysia Malexander Malmö Manskär Mexico Miami Monaco Morocco Moscow Motala Myanmar New York City New York State North America Norway Närsholmen Oslo Pakistan Paris Pisa Piteå Poland Portugal Riksgränsen Rio de Janeiro Rome Russia Rö Rörum Saas Fee Sardinia Scandinavia Scotland Skåne Slovakia South America Spain Stensjö Stockholm Stockholm archipelago Stockholm Old Town Sweden Switzerland Sydney Södertälje Tallinn Thailand the Andes the Arctic circle The Catlins the Maldives Tibet Tistlarna Tofta Tokyo Torrevieja Tunisia Turkey Tylön Tärnaby United Arab Emirates Upplands Väsby USA Varberg Venice Vålådalen Västkusten warsaw Washington Öland Östergötland
Numbers Numbers
crowd eight eight animals eight objects eight people five five animals five objects five people four four animals four objects four people group of people nine nine animals nine objects nine people nobody one one animal one boy only one girl only one mature man only one mature woman only one mid adult man only one mid adult woman only one person only one senior man only one senior woman only one teenage boy only one teenage girl only one young man only one young woman only seven seven animals seven objects seven people single object six six animals six objects six people three three animals three objects three people two two animals two objects two people
Colors Colors
black black background blue blue background brown brown background Falun red gray green green background grey background orange colour pink pink background purple purple background red background turquoise white yellow yellow background
aerial view back lit close-up collage copy space defocused directly above double exposure fisheye lens focus on background front view full frame high angle view high speed camera long exposure low angle view macro rear view sepia toned side view soft focus split vision still life studio shot triptych underwater white background wide-angle lens
Color Color
black and white color image
Format Format
horizontal panoramic square vertical
Film speed Film speed
fast motion real time slow motion time lapse
The number of hits per page The number of hits per page
Pixels, formats, focus, resolution, sizing... What's what? Do you work with communications and need to refresh your image processing memory? Then read on! In this article, we have enlisted the help of photographer and retoucher Maria Stranger to improve our imaging, including the technicalities for attaining the best quality. Give the article a read and save it or print it for future reference should your memory fail you!
About Maria Stranger
Growing up with a father who was a photographer and who held photo auctions, Maria was surrounded by cameras and photography. Maria continued on her father's path by training as a photographer and image processor. She started her career at the photography department of the Swedish National Heritage Board in Stockholm, where she stayed for 15 years. She then worked at Johnér bildbyrå for just over 10 years. In 2013, she took the leap into the world of freelance and continued to work with Johnér, but then as her customer. She lives in Södermalm, Stockholm with her husband and dog, and couldn't be happier with life.
Pixels, file sizes and bit depth
A digital image is made up of pixels (px), something like the grains in an analog film role. In the computer, each pixel's light value is represented as a code of zeros and ones. And these pixels are used for sizing an image.
The digital size of an image (file size) is measured in kilobytes (KB), megabytes (MB) and gigabytes (GB), in order of size.
The bit depth (also referred to as pixel depth or color depth) indicates how much color data there is in each of an image's pixels. The more data bits per pixel, the more available colors, the more exact the color replication and the larger the size.
Different format types
TIFF – used primarily by photographers and printers. Works on most platforms and has a non-destructive compression, LZW compression.
JPG – used on the internet and may be destructive if used in ongoing image processing and: saves – opens the image – processes the image – saves the image again. Over and over again.
PSD – is a Photoshop format in which images can be saved with layers, channels and selections for future
image processing.
EPS – is basically the same as TIFF, but is ready for print.
PNG – used on the internet and is a non-destructive format suitable for non-photographic images with large areas of color, such as icons, drawings and graphics.
GIF – used for simple animations.
Focus
Focus is important in an image. The depth of field is the part of an image that is in focus. The entire image may be in focus, from the foreground to the background. A short depth of field entails that only a small part of the image is in focus, such as a portrait in which the subject's eye is in focus, but everything else is blurry. This tactic can be used to give extra weight to your message. The eye is automatically drawn to in-focus elements, so you can highlight what you want the viewer to pay attention to by making it the only element in focus. Then there is motion blur, when the subject of the image is moving and blurry to relay the message of motion and speed – a commonly used tactic in sports photography.
Cropping images
At times it may be necessary to crop an image to ensure that your message truly comes across, or to fit into a particular format. Perhaps you aim to remove distracting elements from the image or simply to create a new dynamic through cropping. You can also create certain effects by cropping out elements. Ensure that you have some margin when cropping and that elements you want in the image are not too close to the edges since these may be cropped in printing.
To crop an image, you an use the cropping tool directly on the image in Photoshop. This tool allows you to drag the black-marked corners or sides, which become visible so you can decide how to crop the image. By keeping the cursor a bit outside a corner, you can straighten the image if necessary. You can also specify the size and proportions in the menu. Another cropping method is to open a new Photoshop template in the desired format, drag your image into the template, and
adjust the image upward or downward, that is, cropping your image with the cursor from a corner. Play around to find the method that suits you best.
Size and resolution
Different end products, such as paper, internet, tablets and slideshows, make different requirements on conversions and adjustments of images. Your images must be adapted to resolutions, color work spaces, sharpening, etc to convey the best possible message and to be of the best quality.
It is wasteful to use a larger image than the end product requires. The image will not look better just because it has a higher resolution. Instead, it will only be larger and require more space. You are best off using just the right size for your purposes. However, avoid using a smaller size due to pixelation. The individual pixels will become visible and the image will look strange.
The size and resolution of your image is important. Technological development, such as improved imaging on computer screens, means that it is vital that your images are of good quality. When using an image online, only the height and width in pixels are important. Websites can have dynamic windows so that there can be more pixels in the image than the window size, resulting in better quality that suits the quality of the screen. This is good when zooming in so the image maintains its quality. Resolution is only important when an image is printed.
Generally, a resolution of about 300 ppi is used for printed images and about 72 ppi for online images. However, this can vary. For example, different prints may require different resolutions. Images must be adapted to varying rasters, raster densities, paper types, coated and uncoated paper, etc.
The motif also determines the size of the image
In addition to considering the size, you should also consider the motif's contents when selecting images for online use. Small, highly detailed images may give a muddled impression and may detract from the meaning of your motif. Simpler and clearer contents make it easier to understand the message you want to convey with your image. Every once in a while, pull back to get an overview by viewing the website or other product in its entirety while working with your image.
Highly detailed images require high resolution whereas less detailed images can often be printed in much lower resolution. Large images, such as facade advertisements, do not need to be printed in high resolution since the image will not be viewed close up.
Sizing
Sizing means enlarging an image, an increase in the height and width of pixels. In Photoshop, this can be done via: Image – Image Size, size the image and select the following settings: Automatic, Bicubic (smooth gradients) or Nearest Neighbor (hard edges) and so on, to size your image and give it the best possible technical quality. Different motifs may require different sizing settings.
Nowadays, sizing is good in Photoshop, but always review your image carefully afterwards to ensure the quality. However, it is optimal to start with the largest size necessary for your end product without having to size the image.
White and black
If you have a white background or a light sky in your image you can get an idea of how white your white is by laying it against a white background. You can compare the whiteness and adjust as necessary. The same applies to your black tones. Lay your image against a black background to assess the blackness. There are many black and white tones. An image containing white areas may come across as grayish and give a dirty impression. You can adjust the whiteness via: Image – Adjustments – Curves. When adjusting your whites in curves, you maintain good knowledge of all other information in the image. There are many ways to adjust white tones in Photoshop. Play around to find the best method for you.
The right color working spaces is important
Color working spaces is an area with a color interpretation that is used in color systems to standardize colors, to be able to indicate a specific color. Color working spaces need to be communicated between photographers and printers to ensure that the photographer gets the exact color in their image when printed. For printers to be able to do your images justice, the colors must lie in the CMYK (four color) color model. In addition, you can create an ICC profile for the particular printer or screen on which your image is to appear.
QUICK GUIDE
Rectangular image at 100 MB (approx. 7250 x 4833 px) sufficient for approx:
178 x 127 cm 100 ppi
89 x 64 cm 200 ppi
59 x 42 cm 300 ppi
44 x 32 cm 400 ppi
Square image at 125 MB (approx. 6610 x 6610 px) sufficient for approx:
168 x 168 cm 100 ppi
84 x 84 cm 200 ppi
56 x 56 cm 300 ppi
42 x 42 cm 400 ppi
HD format, screen (such as large slideshows):
1920 x 1080 px (may even be 1280) approx. 6-7 MB
Resolution for different end products approx:
100 ppi facade advertisement, large tapestries
200 ppi newspaper
300 ppi magazine prints, brochures, etc
400 ppi art prints